maajalkaisten murha; tapettiin; jo kuulin siitä ennen
maajaloin; taimet kannoin
kruununsa vaihtuu suopaan; antaa kalujen pudota
prinsessan ahtaudesta; naimisiin
mistä päästä; kuu nousee päätään
kai yritin ripustautua; siitä irti; josko olin oljilla; synnyin ja kasvoin
katselin sinua jo tunnin; etkä herännyt; pitempään
ilta lähestyi sinua jo minuutin; odotin
kultaisen buddhan; jalkojen juureen; kumarrut sinäkin

Reading Roland Barthes: Critical Essays

Page 256

It appears possible for example to develop entire literary criticism starting from the two rhetorical categories established by [Roman] Jacobson: metaphor and metonymy.

Page 257

If these various ideological principles are possible at the same time (and for my part, in a certain sense I subscribe to each of them at the same time), it is doubtless because an ideological choice does not constitute the Being of criticism and because "truth" is not its sanction. Criticism is more than discourse in the name of "true" principles. It follows that the capital sin in criticism is not ideology but the silence by which it is masked: this guilty silence has a name: good conscience, or again, bad faith.

Page 257

All criticism must include in it's discourse (even if it is in the most indirect and modest manner imaginable) an implicit reflection on itself; every criticism is a criticism of the work and a criticism of itself.